1/18/2024 0 Comments Final cut pro vs final cut studio![]() On The Upshaws, we almost always stuck to the script and the pace was much slower. Additionally, I had to recalibrate my thinking to the editorial style of single-camera sketch comedy. We would screen cuts together as an editorial team and debate how to land a joke better, or which scenes would play best in an episode together. The culture of History of the World was extremely collaborative. Of course, I jumped at the chance!Ĭoming from The Upshaws, where it was generally just me in the edit bay combined with the multi-camera editorial style, was an adjustment as History was quite the opposite. ![]() Just as we were wrapping up our season, Wanda asked if I’d be interested in cutting the Mel Brooks sketch comedy series. My experience editing The Upshaws led me to my next show, History of the World, Part II. History of the World Part 2 | Trailer | Hulu youtu.be I enjoyed the challenge of landing the jokes with the proper takes and reactions while artfully weaving in the laughter. The editorial style of The Upshaws is a hybrid of the two: we have the element of the studio audience, however, our showrunners prefer that the edits are on the tighter side, which is a different take on this format. ![]() Single Camera comedy, however, is usually edited in a much tighter manner, with jokes layered on top of each other. Multi-camera sitcoms are shot on a soundstage with a studio audience and because they have a laugh track, the editorial style is much like stand-up comedy in the sense that the show is cut fat with room for the laughter to play out and time for the characters to take the laughter in. ![]() The Upshaws: Part 3 | Official Trailer | Netflix youtu.beĬoming from a background of editing stand-up comedy made my transition to cutting The Upshaws a fluid one. This came with a lot of pressure and growth but also led to my first three Primetime Emmy nominations in 2023: two for The Upshaws and one for History of the World Part II. It was my first multi-camera sitcom and I was the only editor on the second season of a hit show (except Episode 5, where I share a credit with the talented Russell Griffin). This was a pivotal moment in my career for multiple reasons. Final Cut Pro will choose the most suitable analysis for you when the analysis method is set to automatic. With H.264 and HEVC export, creatives can automatically utilize available media engines for simultaneous processing when rendering video segments.įinally, Object Tracker results are improved with Apple Silicon computers when you analyze the movement of faces and other objects. Different colors allow users to identify and highlight clips by using the timeline index. Furthermore, editors can also see the organization of the timeline at a glance by differentiating clips by assigned roles or colors. In additions, you can now dynamically adjust your timeline view during playback by using the Zoom tool or keyboard shortcuts. The new automatic timeline scrolling feature (which isn't a new addition to NLEs in general) allows for creatives to keep clips in view under the playhead during playback. We all get more performance from Apple Silicon in rendering and an all-new machine learning model for the Object Tracker feature. With FCPX 10.7, improvements include better timeline navigation and organization, which should help editors simplify complex edits.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |